Jan Bloemendal (ed.), Daniel Heinsius, Auriacus, sive Libertas saucia (1602) (Leiden and Boston: Brill, 2020) Drama and Theatre in Early Modern Europe, 10.
Jan Bloemendal and seminar group RUB (eds), Johannes Reuchlin’s Scaenica progymnasmata or Henno (1498) and Jacob Spiegel’s Commentary (1512): Neo-Latin Comedy and Transnational Learning (Trier: WVT, 2024) Bochumer Altertumswissenschaftliches Colloquium, 116.
Jan Bloemendal, ‘Johannes Reuchlin’s Scaenica progymnasmata ( Henno, 1497) and Jacob Spiegel’s Commentary (1512): A Local and Transnational Project’, Medievalia & Humanistica 47 (2022), pp. 1-22.
Jan Bloemendal (ed.), ‘Transnational Aspects of Early Modern Drama’, special issue of Medievalia & Humanistica, 48 (2023).
Jan Bloemendal, ‘Introduction: Transnational Aspects of Early Modern Drama’, Medievalia & Humanistica, 48 (2023), pp. 1-18.
Jan Bloemendal, Neo-Latin Drama in Europe and Beyond (Leiden and Boston: Brill, 2025) Brill Research Perspectives in Latinity and Classical Reception in the Early Modern Period.
Jan Bloemendal, ‘Biblical Stories on the Medieval and Early Modern Stage: A Transnational Approach’, Journal of the Bible and Its Reception, 11 (2024), pp. 147–172.
Jan Bloemendal, ‘New Perspectives on Neo-Latin Drama: From Philology to Digital Humanities’, in Wolfgang Kofler, Simon Wirthensohn and Stefan Zathammer (eds), Joseph Resch als Bühnenautor: Die Brixner Schuldramen und ihr Kontext (Munich: C.H. Beck, 2024) NeoLatina, 31, pp. 225–39.
Jan Bloemendal, ‘Neo-Latin Drama between Nationality and Transnationality’, in Cornelis van der Haven a.o. (eds), Literature Without Frontiers: Transnational Perspectives on Premodern Literature in the Low Countries, 1200-1800 (Leiden and Boston: Brill, 2024) Brill’s Studies in Intellectual History, 346, pp. 112-44.
Jan Bloemendal, a.o., ‘Introduction‘, in Cornelis van der Haven a.o. (eds), Literature Without Frontiers: Transnational Perspectives on Premodern Literature in the Low Countries, 1200-1800 (Leiden and Boston: Brill, 2024) Brill’s Studies in Intellectual History, 346, pp. 1-28.
Jan Bloemendal, ‘The Many Lives of Everyman: Elckerlijc, Homulus, Hecastus and Company’, in Dinah Wouters and Jan Bloemendal (eds), TransLatin: The Transnational Impact of Latin Theatre from the Early Modern Netherlands: Qualitative and Computational Analyses (Leiden and Boston: Brill, 2026) Drama and Theatre in Early Modern Europe, 15, pp. 80-149.
Jan Bloemendal, ‘The First Lyrical Choral Ode of Heinsius’s Herodes infanticida (1632) and the Classics’, in Jeanine De Landtsheer, Fabio Della Schiava and Toon Van Houdt (eds), Dulces ante omnia Musae: Essays on Neo-Latin Poetry in Honour of Dirk Sacré (Turnhout: Brepols, 2021), pp. 299–310.
Jan Bloemendal and Dinah Wouters, ‘Introduction’, in Dinah Wouters and Jan Bloemendal (eds), TransLatin: The Transnational Impact of Latin Theatre from the Early Modern Netherlands: Qualitative and Computational Analyses (Leiden and Boston: Brill, 2026) Drama and Theatre in Early Modern Europe, 15, pp. 1-6.
Jan Bloemendal, James A. Parente, Jr. and Nigel S. Smith (eds), ‘Transnational Exchange in the Early Modern Low Countries’, special issue of Renaissance Studies, 36 (2022).
Jan Bloemendal, James A. Parente, Jr. and Nigel S. Smith, ‘Transnational Literary Exchange in the Early Modern Low Countries: Introduction‘, Renaissance Studies, 36 (2022), pp. 8-26.
Jan Bloemendal, ‘The Hague and Antwerp, 1529: Gnapheus’ Acolastus and the Formation of European Neo-Latin Drama’, in Warren Boutcher a.o. (eds), TextDiveGlobal, vol. 1 Works (in preparation).
James A. Parente, Jr., and Jan Bloemendal, ‘What Makes a Neo-Latin Tragedy Baroque? The Spanish Netherlands, the Dutch Republic and Beyond’, in Jacqueline Glomski, Gesine Manuwald, and Andrew Taylor (eds), Baroque Latinity: Studies in the Neo-Latin Literature of the European Baroque (London: Bloomsbury, 2023), pp. 153-70.
Andrea Peverelli, Marieke van Erp and Jan Bloemendal, ‘Tracking Textual Similarities in Neo-Latin Drama Networks’, Language Resources and Evaluation Conference, LREC, 2022, pp. 5295–5303.
Andrea Peverelli, Marieke van Erp and Jan Bloemendal, ‘The Process of Imitatio Through Stylometric Analysis: the Case of Terence’s Eunuchus’, CHR 2022: Computational Humanities Research Conference, December 12 – 14, 2022, Antwerp, 2022, pp. 337–354.
Andrea Peverelli, ‘A Stylometric and Network Analysis of a Multi-lingual Early Modern Drama Corpus’, in Dinah Wouters and Jan Bloemendal (eds), TransLatin: The Transnational Impact of Latin Theatre from the Early Modern Netherlands: Qualitative and Computational Analyses (Leiden and Boston: Brill, 2026) Drama and Theatre in Early Modern Europe, 15, pp. 54-79.
Andrea Peverelli, Authorial Framework and the Problem of Style through a Computational Analysis of Neo-Latin Drama. PhD thesis Utrecht University 2025.
Dinah Wouters and Jan Bloemendal (eds), Transnational Encounters in Early Modern Drama, 1450–1750 (Leiden and Boston: Brill, 2025) Drama and Theatre in Early Modern Europe, 13.
Dinah Wouters and Jan Bloemendal (eds), TransLatin: The Transnational Impact of Latin Theatre from the Early Modern Netherlands: Qualitative and Computational Analyses (Leiden and Boston: Brill, 2026) Drama and Theatre in Early Modern Europe, 15.
Dinah Wouters and Jan Bloemendal (eds), TransLatin: The Transnational Impact of Latin Theatre from the Early Modern Netherlands: Qualitative and Computational Analyses (Leiden and Boston: Brill, 2026) Drama and Theatre in Early Modern Europe, 15.
Dinah Wouters, ‘Comoedia Sacra and Comoedia Nueva: Defending Innovation in Comedy from the Northern Humanists to Lope de Vega’, in Jan Bloemendal (ed.), Transnational Aspects of Early Modern Drama, special issue of Medievalia & Humanistica 48 (2023), pp. 19–39.
Dinah Wouters, ‘Revisiting Potiphar’s Wife: A European Perspective on a Character in Early Modern Drama’, Medievalia et Humanistica, 47 (2022), pp. 81–106.
Dinah Wouters, ‘Naming Potiphar’s Wife in Early Modern Drama: The Unnamed Woman Becomes the Woman with the Many Names’, in Dinah Wouters and Jan Bloemendal (eds), Transnational Encounters in Early Modern Drama, 1450–1750 (Leiden: Brill, 2025), Drama and Theatre in Early Modern Europe, 13, pp. 251-71.
Dinah Wouters and Jan Bloemendal, ‘Introduction’, in Dinah Wouters and Jan Bloemendal (eds), Transnational Encounters in Early Modern Drama, 1450–1750 (Leiden: Brill, 2025), Drama and Theatre in Early Modern Europe, 13, pp. 1-23.
Dinah Wouters, ‘The Circulation of Biblical Comedies in Print: Gnapheus, Crocus, and Macropedius’, in Dinah Wouters and Jan Bloemendal (eds), TransLatin: The Transnational Impact of Latin Theatre from the Early Modern Netherlands: Qualitative and Computational Analyses (Leiden and Boston: Brill, 2026), pp. 6-27.
Dinah Wouters, ‘A Diachronic Analysis of Plot in Plays about the Egyptian Joseph (1500-1700)’, in Dinah Wouters and Jan Bloemendal (eds), TransLatin: The Transnational Impact of Latin Theatre from the Early Modern Netherlands: Qualitative and Computational Analyses (Leiden and Boston: Brill, 2026), pp. 28-53.
Dinah Wouters, ‘The Biblical History Play: Turning Seventeenth-Century Joseph Plays into Political Drama’, Journal of the Bible and its Reception 11 (2024), pp. 245–263.
Dinah Wouters, ‘The Jesuit Monopoly on Revenge in Joseph Plays: Morals, Justice, and Atonement’, in Adam Hansen, Marco Prandoni, and Cornelis van der Haven (eds), Revisiting Revenge Tragedy: New Perspectives (Leiden and Boston: Brill, 2024) Drama and Theatre in Early Modern Europe, 12, pp. 60-83.
Dinah Wouters, ‘Trenchinium, 1650: From Humanist to Jesuit Biblical Comedy’, in Warren Boutcher a.o. (eds), TextDiveGlobal, vol. 1: Works (in preparation).
Dinah Wouters, ‘Latin School Plays in European Drama: A Transregional and Multilingual Account of Joseph Plays’, Journal of the Warburg and Courtauld Institutes 88 (2025), pp. 135-56.
Sarah Fengler and Dinah Wouters, ‘Introduction: New Perspectives on Biblical Drama’, Journal of the Bible and Its Reception, 11 (2024), pp. 139-46.